18,222 Royalty-Free Audio Tracks for "Midi Files Of Musical Scales In C"

Generating chord for Michael Torke's Vanada (1984).

interval major 3rd melodic

interval minor 3rd melodic

interval minor 7th melodic

Italiano: Scala di do locrio.

interval perfect 4th melodic

interval major 7th melodic

interval minor 6th melodic

interval tritone melodic

interval octave melodic

Italiano: Scala di do eolio.

Italiano: Scala di do lidio.

interval minor 2nd melodic

Italiano: scala di do dorica (midi).

minor 2nd interval melodic

interval perfect 5th melodic

interval major 6rd melodic

Italiano: Scala di do mixolidio.

I created this file myself to illustrate the concept of interval class.

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Ogg Vorbis sound file of C Major scale

Seventh suspension four chord on C. Created by Hyacinth (talk) 20:28, 31 May 2011 (UTC) using Sibelius 5.

C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.

[Dominant] eleventh chord in F, on C (C11). "As it appears in actual music": C, —, G, B, D, F.

Dominant thirteenth chord (V13) in F major (C E G B♭ D).

Half-diminished seventh chord on C

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Bad guy/"Villian" motif/riff.

Tonic thirteenth chord on F. Created by Hyacinth (talk) 22:14, 1 July 2009 using Sibelius 5.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Mother chordMutterakkord

9-limit dekany scale.

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

The opening theme to Rimsky-Korsakov's Scheherazade is, "simply a descending whole-tone scale with diatonic trimmings." See Abraham, Gerald. "The Whole-Tone Scale in Russian Music", p.602, The Musical Times, Vol. 74, No. 1085. (Jul., 1933), pp. 602-604.[non-whole-tone scale notes in red].

C triad open position.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

Diminished seventh chord as incomplete ninth in C.

Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.

Just harmonic seventh chord on C. Created by Hyacinth (talk) 18:59, 10 November 2011 with Sibelius 5.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

36-tet scale, or sixth-tone (1200/36 = 33.33 cents) scale, on C. MIDI pitch bend appears to match intervals.

13-tet scale on C. MIDI pitch bend correct for intervals.

23-tet scale on C. 1200 cents/23 = steps of 52.17 cents. MIDI pitch bend matches intervals.

9-tet scale on C. MIDI pitch bend matches intervals.

14-tet scale on C. MIDI pitch bend matches intervals.

Dominant thirteenth: four-voice version.

Dominant seventh flat nine chord on C - As MIDI

Dominant thirteenth chord in four-part writing.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Major triad on C. Created using Sibelius.